Jung Myung Taek: Reinterpretations of Muwi : Resurgence of Hermitic Objects:

 

Art furniture, which defines an interior space as a work of art, has grown while raising engrossing questions about the relationship between commerce and culture, art and practicality. This exhibition aims to showcase Jung Myung Taek's latest works in 2021, as well as art furniture imbued with his spirit of naturalism.

 

Jung Myung Taek brought the concept of art furniture, which was formed in the United States in the 1950s, to the Korean public. While studying in the United States, he produced benches and table works as a designer and producer for the Wendell Castle Collection of Wendell Castle, who is often called the father of art furniture. His philosophical thoughts on art furniture, which encompass East and West, past and present, have been recognized in Korea and overseas. Inspired by the diverse old architecture of Korea, his works reflect his study of the harmony between architecture and space– that is, the material and the immaterial. 

 

The artist works by looking at the characteristics inherent in these works largely in terms of ‘pure beauty of Muwi (inaction, 無爲),’ ‘simple beauty of Musim (no mind, 無心)’ and ‘spatial beauty of Muhyeong (no form, or formlessness, 無形).’ 

 

This exhibition draws the audience into a deep and free exploration of Muwi, the essential relationship between matter and space created by Jung Myung Taek's resurgence of hermitic objects.

 

 

 

 

 

작가는 이러한 작품에 내재된 특징을 크게 ‘무위(無爲)의 순수미’, ‘무심(無心)의 담백미’, ‘무형(無形)의 공간미’로 바라보고 작업한다. 이번 전시에서 정명택의 은일한 사물의 기척이 자아내는 물질과 공간의 본질적인 관계, 무위에 대한 깊고도 자유로운 탐구로 관객을 끌어들인다.