ART BASEL HONG KONG 2026
INSIGHTS · 3C31
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The Page Gallery is delighted to announce its participation for the first time in the Insights sector of Art Basel Hong Kong 2026, presenting a solo booth by Korean artist Han Jin (b. 1979).
Han Jin has expanded her practice from painting and drawing into video, sound, and installation, and is recognized for her distinctive artistic language that explores boundaries, time, and perception through the concept of “sound.” This presentation brings together major series from the past decade alongside a newly developed sound work, offering a sensory experience in which visual and auditory elements intersect.
Her work begins with an exploration of invisible states, shifting boundaries, and moments that transform memory and time. She perceives the world through listening, translating elements such as rhythm, resonance, and interference into visual language. Just as French composer Erik Satie’s Vexations expands time and silence through repetition, Han’s paintings are formed as “durational events” through hesitation, accumulation, and intervals. Her video and sound works extend this painterly logic into light, time, and acoustic conditions, establishing a coherent system in which the visual and auditory converge.
A central concern in Han’s practice is the notion of “boundary.” This includes not only natural conditions such as shorelines or the edge between swamp and land, but also invisible boundaries formed within everyday human relations. These boundaries may be measurable, yet they cannot be fixed, existing instead in a constant state of flux. Through her visits to various boundary sites, the artist comes to perceive the moment of standing at such thresholds through auditory experiences, such as the resonance of footsteps or the sound of wind. These experiences are translated into her paintings and drawings as layered and overlapping forms.
The presentation of selected major series from the past decade together with a new sound work is not a retrospective, but rather an attempt to reveal how the artist’s practice has continuously evolved over time. The new and existing works are presented in relation to one another, allowing viewers to experience how her core concerns have been sustained and expanded.
Bringing together multiple media, this booth offers a comprehensive view of Han Jin’s ongoing exploration of boundaries, time, and perception, while situating her work within the discourse of contemporary Asian art. Through its first participation in Art Basel Hong Kong, The Page Gallery aims to expand its presence on the international stage and further introduce the work of Korean artists to a wider global audience.
The Page Gallery欣然宣布將首次參加2026年香港巴塞爾藝術展（Art Basel Hong Kong 2026）Insights展區，並呈現韓國藝術家韓珍（Han Jin，韓珍，1979年生）的個展展位。
韓珍的創作實踐已由繪畫與素描拓展至影像、聲音與裝置，並以其獨特的藝術語言而受到關注。她透過「聲音」這一概念，持續探索邊界、時間與感知。本次展位將匯集她過去十餘年來的重要系列作品，並同時呈現一件全新創作的聲音作品，帶來一場視覺與聽覺交匯的感官體驗。
她的創作始於對不可見狀態、流動邊界，以及那些改變記憶與時間之瞬間的探索。她透過「聆聽」來感知世界，並將節奏、共鳴、干擾等元素轉化為視覺語言。正如法國作曲家艾瑞克・薩提（Erik Satie）的《Vexations》透過重複延展時間與寂靜，韓珍的繪畫亦透過遲疑、累積與間隔，形成一種「持續中的事件」。她的影像與聲音作品則進一步將這種繪畫邏輯擴展至光、時間與聲學條件之中，建立起一個視覺與聽覺彼此匯聚的連貫體系。
「邊界」是韓珍創作中的核心關切之一。它不僅包括海岸線、沼澤與陸地交界等自然條件，也包括日常人際關係中形成的無形邊界。這些邊界或許可以被測量，卻無法被固定，而是始終處於不斷變動的狀態之中。藝術家透過走訪不同的邊界現場，經由腳步的回響、風聲等聽覺經驗，感知到立於臨界點上的瞬間；這些經驗最終在她的繪畫與素描中轉化為層疊交錯的形式。
此次將過去十餘年間的重要系列作品與全新聲音作品並置呈現，並非一次回顧展，而更像是一次嘗試，旨在揭示藝術家的實踐如何隨著時間持續演進。新作與既有作品彼此關聯地展開，使觀者得以感受到她的核心關懷如何被持續保留並不斷擴展。
透過匯集多種媒介，此次展位全面呈現了韓珍對邊界、時間與感知的持續探索，同時也將她的創作置於當代亞洲藝術的論述之中。藉由首次參加香港巴塞爾藝術展，The Page Gallery希望進一步拓展其在國際舞台上的能見度，並將韓國藝術家的創作介紹給更廣泛的全球觀眾。
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